The modes of the melodic minor scale are usually paid less attention, from teachers and players alike, than the modes of the major scale, though their role and application in popular and art music is just as important. With four dominant modes (2, 4, 5, 7), a major mode (3), a minor mode (1) and a half-diminished mode (6), the melodic minor scale provides a vast palette of tonal colors that can be used to spice up any improvised solo, composition or arrangement. It is important to note that for jazz and popular music, only the ascending form of the melodic minor scale is used, and this article follows that convention.
Having an understanding of the modes of the major scale is an important skill for any aspiring musician. While there have been volumes of books written on the seven different modes and their usage in both modern and historical music, many people still struggle to grasp the practical application of these common scales. Breaking down and comparing the interval and chord structure of each mode can help to alleviate much of the mystery and confusion that is often associated with learning and applying the modes of the major scale.
One of the most common questions I am asked by students in private lessons or clinics, is "How do I swing harder?" Developing a strong swing feel may come easy to some players, but for the rest of us we have to consciously practice our feel everyday to make sure we can swing as hard as our favorite players. In the same way that there are proven ways to practice to develop our harmonic vocabulary, we can also practice exercises in our daily routine that will help us to further develop our swing feel.
Twin cities guitarist and teacher Mike Krajewski has been trained at some of the best schools in the country. Having completed performance degrees from the Berklee School of Music in Boston and Georgia State University, Mike has decided to go back to school to complete his DMA in classical guitar performance from the University of Minnesota. Aside from being a full-time student, and active performer, Mike is also on faculty at the McNally Smith College of Music in St. Paul.
The pentatonic scale is one of the most frequently used and commonly taught scales on the guitar. Over the past fifty years countless books have been written in an attempt to teach the fingerings and practical applications of the major and minor pentatonic scale for guitar. Guitarist and educator Russell DeCorte’s book Pentatonic Soundscapes Version 1.0 sets out to strike new ground in the realm of pentatonic scale pedagogy and application.
Read more: Product Overview: Pentatonic Soundscapes Version 1.0
As a high school orchestra teacher, I am constantly solicited for ensembles to perform at school and community events. Unfortunately they are too numerous for me to bring my chamber orchestra or fiddle ensemble to each one. As a solution, I have established smaller string quartets, duos and quintets to represent our school orchestra program at induction and award ceremonies, local business and community events.
Read more: String Quartets: A bridge between school and community 

Learning chords can sometimes seem tedious and boring to
even the most dedicated guitarist. Most method books and other instructional
materials simply present endless pages of chord diagrams with little to no
explanation of how to put these chords into a practical, real world, situation.
Over the years, many teachers have developed creative ways to practice chords
that not only allow us to learn new voicings, but also teach us how to apply
these chords in everyday musical situations.
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